This post is a minor break from my Nanowrimo – which has been going well by the way – thanks for asking. 🙂 but I hope you enjoy it.
So the game we played today in my Writing Group – was something I’ll call ‘Like meets Like’ – inspired by how film pitches to studio execs often begin with very simple ‘elevator pitch’ – to convey what your new idea might be like, by likening it to a previous successful movie idea, or changing the genre or the time setting:
Many successful / cult movies were pitched this way (and some not so successfully):
- ALIEN – “JAWS in space” – this very cleverly conjures up the isolation of being out in the middle of nowhere, paying a nod to the second half of JAWS, by taking the crew of a ship in space, fighting a man eating alien in close confines.
- ASSAULT ON PRECINCT 13 – was originally pitched as an exploitation / horror film, because the studios weren’t funding westerns – as RIO BRAVO in modern LA; where a homicidal gang that do not fear death, target the cops at a run down police station and mark them for death (http://en.wikipedia.org/wiki/Assault_on_Precinct_13_(1976_film)
- OUTLAND – “HIGH NOON in space” – this takes the classic Western trope and transfers it to space, where a lawman (Sean Connery) decides to take a stand against corruption, despite the hired killers coming for him and the fact that everyone else is turning their back on him.
I’m sure there are many more better examples. I’d be pleased if you could share them with me 🙂
One other way to approach this is to compare two movie titles and see if they conjure up a film idea – this could be to reinvigorate a tired film idea and give it a new spin.
The film FROM DUSK TILL DAWN (http://www.imdb.com/title/tt0116367/) – is a good example of what happens when you take a vampire movie and put it together with a heist / gangster movie. PRIDE AND PREJUDICE WITH ZOMBIES (http://www.imdb.com/title/tt1374989/) is another.
So why do it?
It’s fun to put different things together to see what combinations may inspire different ideas. And you never know, some interesting plot variations might come out of this experimentation, at least you get you on the road towards fleshing out characters and situations. And to that end, try then taking that film title combination and then trying to work that up into a logline.
For example – I might say “It’s like JAWS meets DUMB AND DUMBER – a tale of three incredibly stupid men, attempting to capture and kill a mythical Megalodon Shark that’s targeting the population of a small island – and it’s far bigger and more dangerous than any Great White – only they’ve lost their boat, and they’re too dumb to know anything about hunting sharks.”
I’d love to know the proper name for this activity – if there is one. For now the name stays. 🙂 Please let me know if you can think of a more well known technique term for it though.
Here’s the two I came up with: (they need work 🙂 )
1. Think RAVENOUS meets ZERO DARK THIRTY – A darkly comic action/horror film about an alcoholic CIA operative, recovering from a botched mission that went fatally wrong, who is forced to find the secret location of a cannibal cult, before they consume her kidnapped boss; the one person who stood by her in her hour of need. Ref: http://www.imdb.com/title/tt012… and http://www.imdb.com/title/tt179…
2. Think REAR WINDOW meets L’APARTMENT – A drama / mystery / romance – about a bored advertising executive, recovering from an injury, who is forced to solve the murder he believes he witnessed, when spying on his new female neighbour; he’s already engaged to marry another woman. And he’s convinced that one of these women might be the killer. Ref: http://www.imdb.com/title/tt011… and http://www.imdb.com/title/tt004…
The others in the group thought of an even better spin on the game, for the random factor, to throw different film names, genres into a hat and to pick them out at random. That way, no one has to struggle for good combinations to work with, but instead can just practice the technique when using ideas purely for fun and practise.
Why don’t you give it a try, in those moments when you might be short of inspiration? they don’t have to be keepers, those ideas that you’ll eventually pitch to an exec, in a Hollywood meeting, but they might help you practice starting to develop that elevator pitch – so that you can later take the meeting that launches your career.
Please let me know if this was useful – and if you prefer a variation, tell me what works for you. And also, especially in time for next year’s Nanowrimo, why not use this technique to inspire your next novel plot.