The Optimal Daily Word Target Calculator | Michael J Holley – Writer

The Optimal Daily Word Target Calculator | Michael J Holley – Writer. – is an excellent post on trying to break your goals so that you can make work and your social life coexist…. I like the idea of trying to do this, to set a word count that you can stick by.

You’ll notice I’m not that prolific blogging. It’s the writing that is also being affected by the stresses of life and the day job.  But if you want bite-size wins to edge you further towards cresting a mountain, why not set an achievable goal?

Dream within a dream sequences – cliché or not?

I am suffering right now from a flu bug. I don’t sleep really. Hardly ever. When I do, it is usually after days of no sleep, or it is alcohol induced and fleeting. Or when I am ill, as my system is too run down. Anything more than two hours is a great night’s sleep. But this makes me a very tired and usually creatively unproductive person when my energy is constantly dwindling after a full day of work.

Also I am constantly jealous of those who do and how easily they slip into oblivion. I hate it when they do it so effortlessly and they dream so richly. I begrudge it. Anyway, the only time I really sleep is when I am ill. And up until now, I would say that until this morning I always thought that the existence of really lucid dreams that could be confused with reality and those that led to other dreams, like the hackneyed dream-within-a-dream sequences in most horror films were nothing but a purely literary or cinematic device. That is, until it happened to me. Sort of….


AT THE MOUNTAINS OF MADNESS on hold, but script available

Guillermo Del Toro’s adaptation of H.P. Lovecraft’s AT THE MOUNTAINS OF MADNESS is still a no-go project sadly. Despite it being the first on his list to do after HELLBOY 2 as stated back in 2007. Book cover

Madness is a short novel about an Antarctic expedition made by scholars from Miskatonic University who discover strange, ancient life forms that are unknown to their science. Highly evolved creatures that seem to pre-date humanity. The script is already written, and in a recent interview with Aintitcool Del Toro Said:

“is exactly the movie I would like to do; it would push buttons, and it’s extreme in many areas. It’s a hard R-rated, big production tentpole in the genre of horror. What I love about tentpole horror.”

Despite the fan interest in the film and Del Toro’s clear proven talent for such tentpole flicks, the movie is not in production. However, the script is available to read via Raindance: Download the PDF here. Or read Del Toro’s other film scripts HERE.

Read the Aintitcoolnews article (About halfway down, after they finish talking about SPLICE) :

If you haven’t read any H.P. Lovecraft, and you have a really good reason for not doing so ;0), then you can read the original story here:

Adobe Production suite incorporates STORY into its workflow

CS5 Production premium box art

Adobe have finally released STORY – a collaborative tool for writing scripts and screenplays that is part of the new CS Live online services.

Check out the promotional video, that explains how STORY fully integrates into the entire production process, but beware the annoying NVidea Advert that you can’t opt out of: – I suggest you turn the sound down immediately and then put it on when the product tour starts; but then I hate advertising.

Check out the production workflow (PDF) info HERE.

I covered Adobe STORY in a previous post – HERE.

It’s an exciting time for low budget film production – and by that I mean in classic film production classification parlance as those productions with a 2ok to 20m budget, as such tools are usually out of the budgets of private individuals such as you and I; especially when I barely pay the mortgage, let alone have the funds to spunk 2k on software on a whim – as such production workflows, with the correct application of planning and knowledge enable low budget productions to efficiently plan and produce a holistic and consistent offering; right up to the point when you sell the rights to your film and deliver the music and effects version for subtitling, complete with a full transcript of the finished edit, which is already timestamped to the edit. Nice.