You’ll notice I’m not that prolific blogging. It’s the writing that is also being affected by the stresses of life and the day job. But if you want bite-size wins to edge you further towards cresting a mountain, why not set an achievable goal?
I am suffering right now from a flu bug. I don’t sleep really. Hardly ever. When I do, it is usually after days of no sleep, or it is alcohol induced and fleeting. Or when I am ill, as my system is too run down. Anything more than two hours is a great night’s sleep. But this makes me a very tired and usually creatively unproductive person when my energy is constantly dwindling after a full day of work.
Also I am constantly jealous of those who do and how easily they slip into oblivion. I hate it when they do it so effortlessly and they dream so richly. I begrudge it. Anyway, the only time I really sleep is when I am ill. And up until now, I would say that until this morning I always thought that the existence of really lucid dreams that could be confused with reality and those that led to other dreams, like the hackneyed dream-within-a-dream sequences in most horror films were nothing but a purely literary or cinematic device. That is, until it happened to me. Sort of….
Guillermo Del Toro’s adaptation of H.P. Lovecraft’s AT THE MOUNTAINS OF MADNESS is still a no-go project sadly. Despite it being the first on his list to do after HELLBOY 2 as stated back in 2007.
Madness is a short novel about an Antarctic expedition made by scholars from Miskatonic University who discover strange, ancient life forms that are unknown to their science. Highly evolved creatures that seem to pre-date humanity. The script is already written, and in a recent interview with Aintitcool Del Toro Said:
“is exactly the movie I would like to do; it would push buttons, and it’s extreme in many areas. It’s a hard R-rated, big production tentpole in the genre of horror. What I love about tentpole horror.”
Despite the fan interest in the film and Del Toro’s clear proven talent for such tentpole flicks, the movie is not in production. However, the script is available to read via Raindance: Download the PDF here. Or read Del Toro’s other film scripts HERE.
Adobe have finally released STORY – a collaborative tool for writing scripts and screenplays that is part of the new CS Live online services.
Check out the promotional video, that explains how STORY fully integrates into the entire production process, but beware the annoying NVidea Advert that you can’t opt out of: http://tv.adobe.com/go/4917?trackingid=GYHZE – I suggest you turn the sound down immediately and then put it on when the product tour starts; but then I hate advertising.
Check out the production workflow (PDF) info HERE.
It’s an exciting time for low budget film production – and by that I mean in classic film production classification parlance as those productions with a 2ok to 20m budget, as such tools are usually out of the budgets of private individuals such as you and I; especially when I barely pay the mortgage, let alone have the funds to spunk 2k on software on a whim – as such production workflows, with the correct application of planning and knowledge enable low budget productions to efficiently plan and produce a holistic and consistent offering; right up to the point when you sell the rights to your film and deliver the music and effects version for subtitling, complete with a full transcript of the finished edit, which is already timestamped to the edit. Nice.
Funnily enough, while lazily going through all of my RSS feeds and catching up on neglected blog articles, I found out that I’m already subscribed to one blog that is linked with THE COLLECTOR: “THE INSIDE PITCH – A Hollywood executive discusses screenwriting.” – Written by Christopher Lockhart. It seems that Christopher, besides writing an excellent blog on the Screenwriting industry, from the inside, also produced THE COLLECTOR, which was originally known as the MIDNIGHT MAN. Read how the project came together here: