[Written in Dec 2018 and unable to post until now – I forgot that I’d drafted this when the Blog was down and was unable to post it]
It was a tough year, but it had a better finale than 2017.
Less people that I know and love died this year. For that I am grateful. Nevertheless, still we lost more friends. And with each passing day it feels like more of my past is being eroded. How long before it feels like it never happened?
So I finished Nanowrimo, and then like the survivors of great battles and those that complete marathon races, I had a very bad case of fatigue and I was overcome with a serious case of ‘What the f$%k do I do now?’
I made sure of course that I backed up all of my files; multiple times (in Drop box, One Drive, USB, External backup) and – as I was using Scrivener, made sure I took a snapshot of the work, before I ever go back and then sat there, twiddling my thumbs. There as lots of twiddling. Lots of doubt. Lot’s of house cleaning and social engagements to fill up my time predominantly, but when in front of a computer – and starting at a blank screen – still faced with the same question: What to do?
I very much wanted to rest MUTAGENE – my Nano novel – and wait a while before revisiting it for editing / rewriting purposes. There are some plotting / planning activities and exercises I can still do on it, if I get desperate. But I wanted a break from it. After all, things had grown stagnant and we both needed to see other people. Or at least I needed some fun.
So I trawled back through my folders, trying to work out which of my other legacy projects was in need of love – as I didn’t have any burning new ideas to work on at that moment. That’s when I realised that I not only had one candidate, a short story I’d forgotten about (called ADRIFT), I also stumbled across a feature script I’d completely forgotten that I’d written (for a Script Frenzy competition a few years back)! Such a shambles. Such disorganised folders and files! And entrusting my faulty memory to guiding me clearly wasn’t working all that well. I decided that I needed to come up with a more appropriate plan to manage my writing projects.
After some soul searching, and some web searching, I realised that I needed a tool, like a database to track / catalogue every single idea, and I then needed to track which ideas then get worked on and when they become ready for circulation or publication.
using Ulysses or Scrivener to track all of my projects; or
building my own tool to track all of my ideas and projects.
It wouldn’t be fun building such a tool, or populating it. But afterwards I would be in a much better position to track each idea through to completed project, and track my career more professionally – e.g. evaluate how much money I’d paid for editing surfaces, or been paid for successful story submissions, or for contest submission fees for scripts etc. I’d then have enough data to take stock of how things were progressing and make a judgement as to whether, like any business, it was still worth pursuing; or if torn between taking different roads, I’d have more than a gut feel to direct my decisions.
I didn’t really feel a need to track my writing each day, as that data would sit within Scrivener, or could easily be tracked in each project if I wanted to. And I was wary of my data being online, and being restricted to someone else’s design. And although I saw how someone else was using Scrivener to do their project management, it didn’t resonate with me. Seemed overly bloated and cumbersome. I wanted something small and portable. So I turned to what I know – I know spreadsheets. I know Excel.
So here’s what I built:
An excel sheet that has a project tracker tab: that tracks the name, type of project, genre (for film and prose), what stage it is in and what draft no and what is the latest file version.
It also has a second tab for tracking submissions – once you’ve ushered a project through to completion on the first tab, you go to the tab called ‘Manuscript Script Submissions’ – for screenplays you submit to competitions or production companies, or manuscripts you submit to publishing companies or literary markets – and the feedback or decisions you get on that work, that may help you shape how you later go back to the rewrite / edit stage.
The drop downs are populated on a third tab – so you can edit the field to your heart’s content and customise it to fit.
Please do download it. Give it a whirl. It’s nothing fancy. But it works for me.
Feel free to try it out, if you think that it might be useful for you also. If you change it, I’d love to know why and how, in case it may be useful to put it into a new version to share with others. And also, if you think it’s flawed – please let me know and I’d gladly consider any amends. I’m especially curious to know if there’s anyone else out there in the same boat, with more ideas than organisation.
For now, I’ve got some data to populate into this thing. I’ve got one short story to write. And then I need to plan how I intend to start my Nano novel editing / rewrite process; come January I want a proper plan in place.
I first became aware of Adam Baker’s writing when searching from some holiday reading. Shopping sites remember our preferences, and sometimes they’re even correct – sometimes – and this time when searching for post apocalyptic pandemic / zombie fiction it presented OUTPOST to me. At the time of purchase there were only a few reviews. Although the reviewers were divided, the positive reviews filled me with hope that I would find a new PONTYPOOL or 28 DAYS LATER between the covers. It wasn’t until I was sequestered in by the pool, in the shade, so pale that I appeared to be in black and white compared to the other resort guests, and opened the cover of the book, that I realised I was in for a skilfully crafted and incredibly addictive joyride.
OUTPOST was an unforgiving tale of Arctic desperation, and ever pervading dread: seen through the eyes of a suicidal overweight priest and the crew of a defunct oil rig; watching the world submit to a global pandemic which turns its victims into a 21st century version of the living dead. Every page was either filled with the slow dread of eventual starvation, submitting to the elements and the bite of the infected, or I was captivated by the survivors’ Maguyver-esque attempts to turn the tables on fate.
I couldn’t wait to tweet about it as soon as I finished it – being a social media-addicted saddo (hence the blog) – and tell people that they need to grab a copy at once. That’s how I eventually came to own a pre-publication copy of JUGGERNAUT; a sort of prequel, if you will. Adam Baker read my tweets. We then corresponded. And when Adam later announced that he had written a new tale, I jumped at the chance to get my greasy paws on it. And I’m glad that I did… (forgive any spoilers!)
Yes, I have been quiet for a while. Apologies, working too many hours and not sleeping enough. Disappointing really as I have watched some blinding films recently, that I’d like to mention to you, short mentions / reviews below.
DEXTER SERIES 4 – the plot twist in the finale – is an epic FAIL! It does’t work and is so flawed with logic holes. It just feels shoehorned onto the end and totally ruins the otherwise perfect denouement. I won’t debate it here, in case people haven’t yet seen it. But right now I am livid! Grrrr!
It is such a shame, as the rest of the series was actually quite strong…. and it appears that I am not alone – although no one has obviously stated the central flaw in the fairytale ending.
Okay.. if you want to read it…. then READ MORE below… (more…)
I’ve been busy busy lately folks, but I am still very much around. Obviously most of my time is going into Producing ROSEBLOOD and producing the ROSEBLOOD PODCAST. But in my spare time I am still finding time to watch a few movies.
I’ve not only seen a few good movies, such as GRAN TORINO and LET THE RIGHT ONE IN, I’ve also found the time to enjoy some really bad ones too! lol
A good friend of mind, who knows I love to watch very bad movies occasionally, bought me a box set of 10 very bad movies from the Ultimate Cult Movie Collection.
The excitingly named RAIDERS OF THE LIVING DEAD is brought to you by the dubious ‘talent’ behind SATAN’S SADISTS and DRIVE-IN MADNESS! Samuel M Sherman, brings you this deceptive 80s snooze-fest tale of a journalist running afoul of zombie slaves and a precocious teen with a home made laser gun saving the day.