Mike is an amazing sculpter and made the tentacle and severed arm effect. And I made the intestines, applied the blood etc . So it’s more Mike’s award than mine. And of course, Rinat and Darwin were totally essential for puppeteering the tentacles and helping us get it right on screen. 🙂 – Visit Mike Strick’s website.
This is great news. This is our 4th award and it now brings the other award nominations to 3. According to their context submission figures, we made it in the top 12 %:
And you might notice the use of the special wording: ‘the short film’ above….
That’s right, I am finally working on the feature version of MR CLEAN! I’m still in the planning stage, but work is definitely under way on bringing the feature script to life. I usually pretty much just ‘pants’ my feature scripts (as in write them with very little to no planning). Yes I know, it’s a shocking admission. But having reached various points in past feature scripts, where I need to do a rewrite, I have since recognised the value of trying to properly plan out the task ahead, to make it less of a nightmare to fix, once the inevitable first draft is done. In the past, because the film was in my head, I would just blurt it all out. But as time passes and you need to question details, and long periods of crazy workload get in the way, and you have to pick up the piece and start going back over the plot, to fix things, you realise that having more planning data to hand would make the whole process so much easier rather than relying on memory.
I’ve been waiting until this moment to properly tackle the script. I’ve been in a hell of crazy work load and long work days for the last three months and have been officially put on furlough, due to the effects of Covid on my company’s financials, so this is literally the first moment I’ve had to properly sit, find a quiet space and devote actual thinking time to the project – instead of trying to do that and being constantly interrupted by my lovely partner, the job and life. I’ve got some resting to do first, to build up the energy for this rewrite. The scripts I’ve been writing for work and the pace that I’ve been working at, have really taken it out of me. But this is a perfect time to build up my energy, polish my concept, flesh out my characters and work on the beats / conflicts etc. I have two months before I go back, although at reduced pay. And yes, weirdly, rather than worry about the world, my financial situation or fate of my job, or this virus, I can only think for now of putting the work in, to get MR CLEAN out of my head and down on paper for others to read… because it’s itching to get written already.
Fingers crossed that I get to do that. I mean life has a way of getting in between of me and my creative goals. But let’s hope that I can use this time for good. Because I hope that if I can pull off what’s in my head, you’re going to love it. Who cares if we don’t have the budget for it yet… and no one can really make a film with the virus screwing things up….
It’s great that MR CLEAN has been selected. To another festival, especially when so many festivals are cancelling or delaying their selection process. We’re very honoured to be selected by this new festival.
Read more about the film, the cast and crew: MR CLEAN.
Admittedly, we only shot the film in March. But I had still hoped to have finished the edit much sooner. Sadly, Coronavirus has impacted my life in mysterious ways and where I briefly had a period of absolutely no work to do and plenty of time to devote to COMFORT HIM, suddenly I was then deluged with more work than I could handle and not enough hours in the day and some of that work is related to that very virus and various organisation’s efforts to combat it – so in a minor way, I am trying to play my part by helping them. But I shouldn’t complain about the lack of time to edit. For one, the film is now done – at least from my side. And secondly, I am alive and well, currently still employed and have been in isolation since the shoot, where others are unfortunately not so lucky and bad things are afoot in the world. In the scheme of things, my struggle is nothing and I salute those working to make the world a safe place once again, although I fear it will be a long time before some semblance of normality returns…. anyway back to the subject at hand! … Our crazy little micro film idea is soon done.
It’s so nice to have finished the edit for COMFORT HIM. It’s a stressful time though. Right now, four highly talented individuals are looking at pieces of this film, and working through my specific briefs to try and interpret my requests and bring their own unique talent and taste to help craft what is needed, to take this film from a rough and ready completed narrative version, and turn it into a completely new beast – a fully-realised and polished short film that is worthy of being viewed and judged. And I sit here, trying to distract myself by putting the EPK (Electronic Press Kit) together – for when we submit the film to film festivals – and hope that each person somehow manages to elevate my vision to a whole new level that surpasses all of our collective visions. But I am happy that for now I have done my part. When I convinced everyone to read the script and climb aboard this short film crazy train, I made a commitment to seeing it through, as we all did, and it’s another example of the new me actually finishing what I set out to do! No matter what!
The post production team, on this film, is:
Albin Larsson (Voxel visuals) – Fresh from his award for the VFX for MR CLEAN, is back in the chair and designing some ways to solve what we couldn’t pull off on set, due to the limited shooting time and logistical issues. Working on 4 VFX shots. And he’s possibly cursing my requests as he tries to make them work with the source footage.
Eric Lau – will be colour grading once again. Fresh from finishing the colour grading on LOVELY TO MEET YOU – the film we shot in Barcelona at the end of last year. And if he pulls off what he did for that film, I can’t wait to see the visuals. As LTMY is looking great. We may have to do a bit of rework when we swap the VFX shots in and then regrade them.
Flora Cheng, our award winning composer, is once again crafting her own unique music score to complement the film; something which will involve custom designing sounds to fit the style and tone. She’s winning awards for her own work too! So we’re very honoured to have her scoring things again.
Luca De Sensi – our Milan-based, award winning Sound Designer / Mixer is also back in the studio and probably scratching his head at how I’ve organised and named all of the files and essentially looking to organise, rebuild and polish the hell out of all of the sound elements. Eventually combining it with the music score to mix it sublimely.
Soon I hope that we can all see and share the finished film. I for one, am more excited than anyone to see it! And it will be great to see it finally come together, all wrapped in a nice bow and given a seal of approval from the production team and the cast and crew.
And then we’ll ultimately know whether it’s a hit or a miss, once we come to share it and see if anyone notices or cares. So far those that have seen it, even without the VFX and score etc, have liked what they’ve seen. But maybe they’re all biased? 😉
And for now, I’ll continue with the EPK, the day job and twiddling my thumbs in anticipation of each of the four segments of post production coming together…
PS – everyone keeps asking when they can see the trailer. There is no trailer. It’s a 1 minute 20 second movie. It’s short enough already!
BRONZE CATEGORY – 2 awards – Best Visual FX for Albin Larsson and Best Sound Design for Luca De Sensi
BEST HORROR SHORT: MR CLEAN picked up an honourable mention.
It’s amazing that in our first festival, we’ve picked up some awards and an honourable mention. Nice. On behalf of the entire cast and crew, I want to thank the Independent Shorts Awards! It is very much appreciated. As soon as we’ve got the certificates we’ll update the poster accordingly with these lovely Laurel wreathes: