I am suffering right now from a flu bug. I don’t sleep really. Hardly ever. When I do, it is usually after days of no sleep, or it is alcohol induced and fleeting. Or when I am ill, as my system is too run down. Anything more than two hours is a great night’s sleep. But this makes me a very tired and usually creatively unproductive person when my energy is constantly dwindling after a full day of work.
Also I am constantly jealous of those who do and how easily they slip into oblivion. I hate it when they do it so effortlessly and they dream so richly. I begrudge it. Anyway, the only time I really sleep is when I am ill. And up until now, I would say that until this morning I always thought that the existence of really lucid dreams that could be confused with reality and those that led to other dreams, like the hackneyed dream-within-a-dream sequences in most horror films were nothing but a purely literary or cinematic device. That is, until it happened to me. Sort of….
A few of the more notable films I’ve watched (in Alphabetic order):
30 DAYS OF NIGHT 2: DARK DAYS – Yawn, blah… this b-movie sequel fails to live up to the promise of the first film. Right from the first movement when we see a quick actress switch and tiresome flashback monologue you can tell the film will suck worse than the hissing vampires this actress is trying to warn everyone about. It tells the tale of the female survivor travelling around and trying to convince people what happened after an apparent cover up, who is then sought out by a useless band of supposed vampire hunters to hunt the vampire queen. Only these tossers have no clue, inappropriate ideas about suitable weaponry and we don’t care what happens to them as none of them are anything more than cardboard cut-out characterisations, including the Ripley-esque lead. It really outstayed the welcome and stunk up my night’s viewing and was only memorable for the pain it induces when I think about watching it again.
BLOOD CREEK– a strange mix of atmospheric horror and sporadic, outlandish CG gore. This tale of a Nazi warlock using an ancient runestone to reanimate the dead and do his bidding proved entertaining, if a little predictable in places. Surprisingly good cast for what felt like a low budget schlocker. The main plot had more than a few plotholes, but entertaining and innovative enough, despite it’s obvious desire to create a franchise. Worth repeat viewings.
CASTRATION MOVIE – Round a friend’s house I was told a tale of a tape handed down from a cult film director by the band who released it. The bizarre nature of its footage and the murky provenence seemed like too good a chance to pass up the opportunity to watch what may be an actual – albeit bizarre – ‘fake’ snuff-type movie; as released by Psychick TV. The movie features the shoddy home movie road trip footage of a potential serial killer, featuring various 70s Mexican and White rentboys playing with electrode sexual stimulation / drug induced highs, with not altogether successful and sometimes fatal results. My friend had never watched it all the way through, so we did. You can’t unsee this type of film, so think twice before deciding to check it out. – if you wish to check out what others think about the film and find out more about what is shown CLICK HERE. I certainly think it is a film that deserves more research into it. Not sure who would want to though.
MACHETE – Danny Trejo (FROM DUSK TILL DAWN, HEAT) stars as the titular badass Mexican cop with a penchant for overly large shiny knives. The bag guys underestimate his gift for survival, when he is forced to watch them kill her, before being left for dead, stabbed and left to die in a burning house. He soon appears in the US as an illegal immigrant and is forced to take part in the fake attempted assassination of a candidate for State Senator (De Niro), using immigration as his ticket to office. Soon everyone is out to get Machete, but this unstoppable force of chopping and slicing carves his way through them all, until he gets his revenge; only stopping for the love of some hot Chicas – including a great pool scene with Lindsay Lohan (the Senator’s daughter) and Alicia Rachel Marek (the Senator’s wife). If you don’t mind your action extra bloody CG, and can handle the idea of Trejo being an irresistible stud, then this film will float your boat. It did mine.
ONG BAK 3 – Another flawed martial action film starring Tony Jaa – picks up right where the second one finished. We find out more about the power of the Evil Crow assassin character, whilst Tien (Tony Jaa) is healed and regroups to fight another day. Flawed, but still amazingly shot and featuring some unique action sequences – this time a more yoga / Thai dancing style of fighting. Well worth a view.
PARANORMAL ACTIVITY 2 – The much hyped sequel to the original haunted house tale – where a family bring their first born male home and all hell breaks loose. I fell asleep through the first film and wasn’t entirely keen on going to see the second one. It does suffer from the same repetition and painfully slow build-up, and ‘just-in-time-exposition’, but it does deliver in the end. I was impressed that I felt the classic hairs-standing-up-on-the back-of-my-neck feeling, and that others in the cinema were jumping left right and centre and the unhappy ending. But I could have done without the pool cleaning equipment porn moments and other repetition. The film could easily have been 30 minutes shorter without sacrificing the experience. If I’d watched this at home on my own I doubtless would have slept through the good bits. I may now actually bother rewatching the first snooze fest.
REC 2 – a brilliant sequel to the first excellent Spanish Cinema Verite zombie movie, which blends the occult, possession and zombism into a terrifying unrelenting mix. This film picks up where the last one left off, the same night, with the female reporter being carted away by a possessed freak, and throws two new bands of curious people into the apartment building looking for answers. As one would expect, each band fall prey to their own stupidity and the hunger of the building’s inhabitants. This film should be watched late at night, alone, in the dark. It will scare the pants off you and make you reach for the light switch when you go to bed. It has a very clever spin on how to make a monster truly terrifying and make use of night vision; something that is rarely seen in the tired horror genres of the last few years.
THE COLLECTOR – amazingly dark and unflinchingly twisted take on the Slasher film genre, with a thief breaking into a family home, only to find the house rigged with booby traps (ala SAW) and the family all trussed up in various states of disrepair. The titular killer is always one step ahead and seemingly unkillable, or rather the victims are seemingly intent on only maiming and not finishing the job. if you don’t mind that sort of cliché fare then it is well worth a look.
THE LOSERS – a weird comic book action movie about an A-TEAM-like band of Special ops characters who fall afoul of an evil CIA operative and barely survive an assassination, when they go against his orders. Their quest to restore their honour and avenge a Helicopter of kids didn’t really float my boat, despite the very slick action sequences. Nor would it interest me to read the original books. But I may rewatch this when I’m in a better frame of mind and hopefully learn to love it.
Anyway, there are far more to mention soon. But that’s it for now.
Funnily enough, while lazily going through all of my RSS feeds and catching up on neglected blog articles, I found out that I’m already subscribed to one blog that is linked with THE COLLECTOR: “THE INSIDE PITCH – A Hollywood executive discusses screenwriting.” – Written by Christopher Lockhart. It seems that Christopher, besides writing an excellent blog on the Screenwriting industry, from the inside, also produced THE COLLECTOR, which was originally known as the MIDNIGHT MAN. Read how the project came together here:
“For handyman and ex-con, Arkin, a quiet home and a family on vacation is an “opportunity”. For inside the house lies a jeweler’s safe, and inside the safe is a rare gem – his only hope for repaying his ex-wife’s debt and keeping what’s left of his family intact. Unfortunately for Arkin, inside the house is also a box containing the latest specimen in a collection catalogued in blood, bone and tears – a human specimen packaged as “bait”. While the trap may have already sprung shut on parents Michael and Victoria – cutting short their vacation before it could even begin – the jaws have yet to close on teenage daughter Jill and eight-year old Hannah. As the seconds tick down to midnight, Arkin becomes a reluctant hero trapped by a masked “Collector” in a maze of lethal invention – the Spanish Inquisition as imagined by Rube Goldberg – while trying to rescue the very family he came to rob.”
But, more importantly – SAW creator Darren Lynn Bousman – continues his excellent Blog posts on ‘breaking in’ to the business here: