Transcoding DSLR footage and Radial Dolly

Great article video on using FCP Studio’s Compressor app to Transcode footage for your editing workflow. Obviously the same principles apply to working with iPhone 4 footage etc.

The article: http://filmmakeriq.com/2010/01/the-dslr-filmmakers-workflow/ – and check out all the other articles on the site. There’s some really useful material on there.

The video:

Here’s a great example of what can be shot on the 550D – if you know how – and combined with CG to create a stunning final product:

The 3rd Letter (aka “36 stairs”) trailer from grzegorz jonkajtys on Vimeo.

Nice.

Here’s another great video to show the kind of audio setup you can use to record separate audio and when to use software like Plural Eyes to sync it up later on your timeline for post:

How-to: Shooting ENG style with Dual System Audio on a Canon EOS 5D Mark II from Createasphere on Vimeo.

Yes, my brief encounter with a Canon 550D DSLR has inspired me. I am geeking out on the kind of footage that can be acquired. Especially when you factor in this cunning design for a tabletop Radial / Micro Dolly!

here’s the video to show you how they made it, with example footage:

iPhone 4 filming

So a while back I got hold of an iPhone 4 deliberately to play with its HD filming capabilities; because I was dismayed at the utter lack of filming over the last 15 months of hell in my old job and also wanted to negate any excuses that I might have for the future: such as, I haven’t time to charge my video cameras up; I’ve run out of tape; I haven’t got my camera on me and am unable to capture this marvellous event happening in front of my eyes etc. Especially now that I’ve changed jobs for the better and am in a much more saner plane of existence, my excuse pool is very much shallower. ;0)

I know that the quality of footage will never hold up next to a Semi-pro HDV Camcorder when you’re needing to be able to push the footage in post, as there’s so little visual information to play with in comparison. I also knew that there wasn’t going to be even half as much control over what I shot or the quality of the sound. However, for quick ‘making of’s’ on set, for doing possible video blogs / podcasts, or capturing something worth sharing on the net that didn’t require the post polish, it was going to be a damn sight better than a Flip type camera.

It was the fact that you can now install the iMovie video editing app on it, and unlike any other phone out there [to my knowledge] you can film and edit and upload all from your mobile phone, that swung it for me and made me sign up to an exorbitant contract for pitiful data rates. But like any cynical sod, I firstly wanted to fully research the workflow and conduct a few misguided experiments. I wasn’t going to rush out there like many did, just to be the first iPhone movie (shot and edited on the iPhone exclusively) on the net; although the day I picked up the phone I was instantly inspired to write a very easy to shoot low budget comedy horror short – more news on that soon.

READ MORE…(see link bottom right)

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